1.2 Discovery by Simon Price of Melody Maker.Much championed by the said writers at the Melody Maker as a stylish and poppy backlash against the dressed-down style and raw sound of the Britpop movement, while variously feted and lambasted by others in the media as a New Romantic revival (a tag rejected by those on the scene), Romo's legacy has been chiefly in club culture as it heralded a new generation of glam/style orientated club nights which would continue through the 2000s. Nonetheless, contemporary features in Melody Maker (where the genre was championed mainly by Simon Price and Taylor Parkes – it was dismissed by the rival NME) tended to downplay the nostalgic connection with New Romantic, emphasising Romo's newness and contemporary relevance. The Romo movement was essentially a derivation of late-1970s disco and early-1980s club music, with an emphasis on the extroverted sartorial style and decadent air of New Romantic-era bands such as Japan and Soft Cell. Romantic Modernism, more commonly known as Romo, was a musical and nightclubbing movement, of glam/style pop lineage, in the UK circa 1995–1997, centred on the twin homes of Camden-based clubnight Club Skinny and its West End clone Arcadia, as well as concerts by the chief associated bands. New Romantic, glam rock, dance-pop, disco, hi-NRG, contemporary R&B, Motown, synthpop For other uses, see Romo (disambiguation). This article is about the 1990s music movement.

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